I’ve been going through some more of my older hand drawn patterns and making vector versions of them. It is pretty time consuming but I really like the results. Here’s an example:
I love the pattern making tools in the latest version of adobe Illustrator, they make it fun to get complicated and interesting pattern repeats. I’m having a hell of a time getting the pattern tiles not to explode when the file is saved in a legacy version though. Stock agencies like Shutterstock want the file saved as an Illustrator 10 eps so it’s a problem I need to solve. I have some ideas on how to do that which will keep me busy.
I think this one will be good as a fabric pattern too so it will eventually end up on my Spoonflower collection too.
One of the fun things about deciding to go try going down the stock image route is that I can get out all the old illustration experiments I did and then discarded on my previous attempts to make a signature style. One of the problems I’ve always had is settling on one way of doing creative stuff. Now I don’t need to.
Here’s a pattern I made from a loose doodle style using watercolour and fine liners. I like the light hearted brightness of this one.
This is now for sale as a stock seamless pattern and as fabric on Spoonflower , fingers crossed other folks like it too.
As part of my stock selling mission I’ve decided to include textures in my portfolio. I have a long habit of scanning anything I think might make an interesting texture and then tinkering with it in Photoshop. This week I have mostly been making two toned lino textures.
I have made these for sale on Shutterstock and the red one has already had some downloads which is an exciting start. More textures to come soon…
I’ve had a blogging hiatus but definitely not a creative one. The last few months I’ve been mainly focusing on pattern designs. I’ve opened a shop on Spoonflower with my first ten uploaded designs at https://www.spoonflower.com/profiles/quirkymundo
It’s what happens when you cross a vector pattern with a scanned lino print texture and a nice blue colour.
One thing I’ve struggled with in recent years is the fact that I like working in different media and styles. I draw, paint, doodle, scan, retouch and vector away to my heart’s content but that doesn’t create a consistent style. Is this a problem I wonder?
I sometimes go fully old-school with acrylic paint on canvas.
One thing that has always been drummed into me is that it’s OK to have a versatility of styles as a graphic designer but not such a good idea as an illustrator. I’m considering stepping back from the process of finding a ‘signature’ style and allowing the natural variety back into my work. A lovely friend has suggest that becoming a stock illustrator / designer may be a way to accommodate this idea. The more I think about it, the more I like it. Hmmm…
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Of all the patterns I’ve drawn recently I think this one is my favourite. It’s hand-drawn and was composed as I went – no photoshop involved other than to clean up the scan. I also learned an important lesson about keeping my scanner dust-free as it took absolutely ages to clean up. I’m now the proud owner of some cleaning wipes for exactly that purpose.
I remember way back when I was doing a BTEC in Graphic design I did a project that needed a design for a Windsor and Newton Gouache box. I painstakingly painted a complicated circles pattern using said gouache. 27 years later and I’m back to drawing circles.
I was so happy with the result of that project that it was the turning point that convinced me that the graphic design option was going to work out. Which it did, for many years, until it didn’t any more. In hindsight I think it was actually the circle pattern that I was happy with, more than the graphic design elements that surrounded it.