To create the elements that make up my patterns, I use a wide range of techniques. Pencil sketching, doodling, painting, printing, markers, pastels, scraping, scattering, splattering, photography and scanning. My most satisfying designs usually begin with some kind of organic, artistic process. Here are a number of examples.
My work has focused heavily on abstract textures for a while now, but it’s like time for a long-overdue return to making surface patterns. I wish I had photographs of my early pattern doodles. There were hundreds of them over the years, but I can’t remember where they went. I do, fortunately, have piles of my later experiments, produced in the last decade or so.
I’ve doodled during long journeys. I’ve doodled in cafes. I’ve doodled between call centre calls and while TEFL pupils completed their work. One of the few times I didn’t doodle was when I was a graphic designer – which is partly why I’m not anymore.
So many years and so many doodles, yet I never explored their full potential. I did consider training as a tattoo artist, but I’m not sure I could make needles and blood my friends.
It feels good to do something that I love, and comes naturally to me. I seem somehow wired to see patterns everywhere I look. Bring on more patterns.