Digital collage experiments

I’ve been drawing, painting, tearing and scanning a variety of textures to experiment doing some digital collage.

Preparation materials for digital collage experiments - Quirky Mundo
Preparation materials for digital collage experiments – Quirky Mundo

I spent quite a long time retouching the scan of the torn paper strips and now I’m layering and arranging them into colourful collage textures like this:

Magenta torn paper striped collage - Quirky Mundo
Magenta torn paper striped collage – Quirky Mundo

I’m looking forward to experimenting with some more varied colour combinations now I’ve thoroughly explored the monochrome palette options. There will be for sale within my stock image offerings asap.

 

Hand drawn to vector

Hand drawn to vector versions of a lime and blue floral pattern

I’ve been going through some more of my older hand drawn patterns and making vector versions of them. It is pretty time consuming but I really like the results. Here’s an example:

Hand drawn to vector versions of a lime and blue floral pattern
Hand drawn to vector versions of a lime and blue floral pattern

I love the pattern making tools in the latest version of adobe Illustrator, they make it fun to get complicated and interesting pattern repeats. I’m having a hell of a time getting the pattern tiles not to explode when the file is saved in a legacy version though. Stock agencies like Shutterstock want the file saved as an Illustrator 10 eps so it’s a problem I need to solve. I have some ideas on how to do that which will keep me busy.

I think this one will be good as a fabric pattern too so it will eventually end up on my Spoonflower collection too.

Oodles of doodles

Doodle pattern using watercolour and fine liner

One of the fun things about deciding to go try going down the stock image route is that I can get out all the old illustration experiments I did and then discarded on my previous attempts to make a signature style. One of the problems I’ve always had is settling on one way of doing creative stuff. Now I don’t need to.

Here’s a pattern I made from a loose doodle style using watercolour and fine liners. I like the light hearted brightness of this one.

Doodle pattern using watercolour and fine liner
Doodle pattern using watercolour and fine liner

This is now for sale as a stock seamless pattern and as fabric on Spoonflower , fingers crossed other folks like it too.

 

Boho hippy retro chic

I’ve recently been converting my hand drawn patterns into vector versions, as demonstrated here:

Hand drawn boho mandala pattern in marker and pastel pencil
Hand drawn boho mandala pattern in marker and pastel pencil

And the vector version of it as a seamless repeating pattern:

mini_mandalas_brownorange_ss

Separating styles?

Doughnut still life painting - acrylic on canvas

One thing I’ve struggled with in recent years is the fact that I like working in different media and styles. I draw, paint, doodle, scan, retouch and vector away to my heart’s content but that doesn’t create a consistent style. Is this a problem I wonder?

I sometimes go fully old-school with acrylic paint on canvas.

 

Doughnut still life painting - acrylic on canvas
Doughnut still life painting – acrylic on canvas
Doughnut still life - mixed media gouache and pastel
Doughnut still life – mixed media gouache and pastel

One thing that has always been drummed into me is that it’s OK to have a versatility of styles as a graphic designer but not such a good idea as an illustrator. I’m considering stepping back from the process of finding a ‘signature’ style and allowing the natural variety back into my work. A lovely friend has suggest that becoming a stock illustrator / designer may be a way to accommodate this idea. The more I think about it, the more I like it. Hmmm…

Your Portfolio Archive currently has no entries. You can start creating them on your dashboard.