I’ve been going through some more of my older hand-drawn patterns and making vector versions of them. It is pretty time consuming but I really like the results.
I love the pattern making tools in the latest version of adobe Illustrator, they are an efficient way to create complicated and accurate pattern repeats. I’m having a hell of a time getting the pattern tiles not to explode when the file is saved in a legacy version though. Stock agencies like Shutterstock want the file saved as an Illustrator 10 eps so it’s a problem I need to solve. I have some ideas on how to do that which will keep me busy.
I think this one will be good as a fabric pattern too so it will eventually end up on my Spoonflower collection too.
One of the fun things about going down the stock image route is that I can get out all my old illustration experiments. I’ve always had problems settling on one creative style so there are a few of them. Here’s a pattern I made from a loose doodle style made with watercolour and fine liners. I like the light-hearted brightness of this one.
One thing I’ve struggled with in recent years is the fact that I like working in different media and styles. I draw, paint, doodle, scan, retouch and vector away to my heart’s content but that doesn’t create a consistent style. Is this a problem I wonder?
I sometimes go fully old-school with acrylic paint on canvas.
It was always been drummed into me is that it’s OK to have a versatility of styles as a graphic designer but not such a good idea as an illustrator. I’m considering stepping back from the process of finding a ‘signature’ style and allowing the natural variety back into my work. A lovely friend has suggest that becoming a stock illustrator / designer may be a way to accommodate this idea. The more I think about it, the more I like it.
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